This mix will give an increase in energy to the track. This type of transition is suitable if you perform on outro or intro that does not contain melodic elements (such as basses, pads, leads) but which only have rhythmic parts with drums and possibly percussion. Modulation Mixing: moving to the opposite side of the ring by increasing 7 steps on the Camelot wheel.Move 3 notes anti-clockwise on the same ring: this change will be pleasant and will give a good increase of energy on the track (e.g., 12B> 9B – E Maj> G Maj).Change of note but in the same ring: changing key in the same ring (I.e., remaining in major or minor) is always a “clean” change and also in this case the change of mood will be perceived by your listeners.Scale change from minor to major (e.g., From 7A> 7B – D min.> F Maj): this is a type of harmonic mixing where the change of energy and mood for the track will be self-evident.Mix by decreasing the key by one point: the tracks remain in harmony the track will not have the sensation of a crescendo but the change will be perceived by the dance floor.The effect on the track is to increase the energy, as in a crescendo. Mix by raising the key by one point: the tracks remain in harmony.Mix in the same key: if the tracks are perfectly compatible it will seem as if the tracks are a single composition.Below we briefly explain what it means to mix in key, and what impact this type of mixing has on the listener:

Mixed in key